![]() At the Smart Museum of Art, Cacchione has curated the exhibitions The Allure of Matter: Material Art from China (with Wu Hung), Samson Young: Silver moon or golden star, which will buy of me?, and Tang Chang: The Painting that Is Painted with Poetry Is Profoundly Beautiful, the first solo presentation of the pioneering abstract artist’s work outside of Thailand. Weng will talk about her recent Guggenheim exhibitions Tales of Our Time (201617) and One Hand Clapping (2018), and her preparation for the upcoming 5th. Her curatorial practice is committed to expanding the canon of contemporary art to respond to the global circulations of art and ideas. When exhibited in One Hand Clapping at the Solomon R Guggenheim in New York in 2018, Asia One was screened in a room full of e-commerce paraphernalia and documentation. Orianna Cacchione is the curator of global contemporary art at the Smart Museum of Art. for the New York Guggenheim as part of the 2018 exhibition, One Hand Clapping. The Making of One Hand Clapping: May 5, 4pm, Conversation with exhibition artists and curators. one place to begin is with Cao Feis performance video Asia One. Guggenheim Museum, New York M+, Hong Kong KADIST, Paris/San Francisco and Fosun Foundation, Shanghai, among others. Instagram / Facebook / Twitter / YouTube / OneHandClapping. Dimensions variable Curators of contemporary Chinese art abroad often face many challenges. Wong’s work is held in several permanent collections including the Solomon R. Guggenheim Museum: One Hand Clapping Huang Banyi AugCao Fei, Asia One, 2018 (detail), multichannel color video installation, with sound. Wong’s animation films have been presented at numerous international festivals in Belgium, the United Kingdom, Mexico, and Australia. Following a symposium titled Technology is History, in association with the exhibition One Hand Clapping at the Guggenheim, curator Xiaoyu Weng and Brian Kuan. Guggenheim Museum, New York (2018) 2018 Triennial: Songs for Sabotage, New Museum, New York (2018) XO State Dark: Aristophanes, Arts Centre Melbourne (2017) RareKind China, Centre for Chinese Contemporary Art, Manchester (2016) Mobile M+: Moving Images, M+, Hong Kong (2015) and Essential Matters, Borusan Contemporary, Istanbul (2015). Solo exhibitions include Heart Digger, Camden Arts Centre, London (2019) Golden Shower, Kunsthalle Basel, Switzerland (2019) Who’s the Daddy, CAPRI, Germany and Jungle of Desire, Things That Can Happen, Hong Kong. His work has been featured in important group exhibitions such as One Hand Clapping, Solomon R. Wong has completed a residency at the Centre for Chinese Contemporary Art (2015). In 2018, he was the recipient of the inaugural Camden Art Centre’s Emerging Artist Prize, and in 2019, he was one of the winners of the Ammodo Tiger Short Competition at the 48th International Film Festival Rotterdam. During her time at the Guggenheim, Weng curated some critically acclaimed shows including Tales of Our Time (201617) and One Hand Clapping (2018), the latter focusing on globalisation and Chinese art. Wong Ping was born in Hong Kong and received his BA from Curtin University in Perth, Australia in 2005. Self-described as “low-tech, stand-up comedies,” Wong Ping’s animations and installations combine dark humor with nuanced social commentary.
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